Shame-slaying, hip-swaying, singing-songwriting drag queen Flamy Grant's new album "CHURCH" is out on vinyl now, with 8 new bonus tracks! This powerhouse vocalist and award-winning songwriter blends her folk, gospel, and southern roots, to immerse audiences in a theatrical, therapeutic, and wholly original storytelling experience. All delivered through the evocative art of drag!

Flamy Grant's "CHURCH" offers an in-depth look into her upbringing, and coming out, all behind the lens of healing gay religious trauma.

This Might Affect You is the debut album of transatlantic singer-songwriter Ilana Zsigmond, professionally known as St. Catherine’s Child. The album’s songs tell the deeply personal and chronological story of enduring and recovering from the illness and death of her father. The A side chronicles the time leading up to his death, and the B side explores the aftermath of his passing and how she processed it.

Zsigmond decided to reach out to others who had recently experienced loss and ask them to collaborate, and as a result, 10 of the 12 songs on the album are co-written with other songwriters. The songs on the album defy traditional genre classification and range from gun ballad to sea shanty to punk and beyond. The album’s title, This Might Affect You, is a reference to a construction planning notice Zsigmond saw during her father’s illness that encapsulated everything she was experiencing and processing, and how it affected her and everyone around her.

So Much I Still Don’t See, the third album from folk artist Sam Robbins, is the story of a singer-songwriter’s journey through his 20s, of 45,000 miles per year on the road, and of the beginning of a troubadour’s career. Inspired by the recordings of singer-songwriters like James Taylor, Jim Croce, and Harry Chapin, the album is the culmination of first-hand experiences gathered through hard travel and big adventures, heard through a soft, introspective soundscape. So Much I Still Don’t See tells those stories through one man and his worn-out Martin guitar, bought just a few years ago a week after moving to Nashville.

Produced by Seth Glier, this album is built sparingly around solo acoustic guitar and vocals, tracked live, just as they are performed live on stage. Robbins, who is recognized as a strong voice in US fingerstyle guitar playing in addition to songwriting, recorded So Much I Still Don’t See in an old church in Springfield, Mass. The album’s sounds reflect the humility that comes with traveling and experiencing a world much larger than yourself – of looking inward and reveling in the quiet of the inner mind while facing an expansive landscape of life on the road.

Sam Robbins’ third album, So Much I Still Don’t See is a testament to a singer songwriter’s journey through his 20’s, through his formative years of 45,000 miles per year touring and the beginning of a troubadour’s career. Most of all, it is the culmination of firsthand experiences gathered through hard travel and big adventures.

For the listener, these big adventures are heard through a soft, introspective soundscape. Produced by singer songwriter Seth Glier, the album is built sparingly around solo acoustic guitar and vocals, tracked live, just as they are performed live on stage. Recorded in an old church in Springfield, MA, the sounds of So Much I Still Don’t See center around the humility that comes with traveling and experiencing a world much larger than yourself – looking inward and reveling in the quiet of the inner mind while facing an expansive landscape of life on the road. The storytelling in the songs is draped with touches of upright bass, keyboards, organ, and electric guitar, but the core of the album is one man and his worn-out Martin guitar, bought new just a few years ago a week after moving to Nashville.

The sonic landscape of So Much I Still Don’t See was largely inspired by the recordings of James Taylor, Jim Croce, Harry Chapin and singer songwriters of the like. Growing up in New Hampshire, Robbins would frequently drive up to the white mountains for weekend hiking trips with his father, accompanied in the old truck by a 70’s singer songwriter CD box set. This music seeped into Robbins’ soul and coupled with experiencing the mountain landscape of his childhood, this “old soul singer songwriter” was shaped by these recordings and the direct, soft and exacting songwriting voices that they exemplified.

Sam Louis is a Canadian singer-songwriter and emotional curator based out of Toronto, trippin’ alarms in the Alt Pop music scene. Louis' success echoes through multiple sold-out showcases, international sync placements, and music award wins/nominations. He’s a top 100 semi-finalist in the International Songwriting Competition and winner of an Indigenous Music Award for Best Pop Album.

His music has been featured on popular playlists like Spotify's "New Music Friday", YouTube's "Pop Before it Breaks" & Amazon's "Brand New Music." His past single, "No More Running," won and received honorable mention in the UNSIGNED ONLY competition for the ROCK and AAA categories, leading him to sign his first publishing deal with TRO. One to watch is an understatement, look out.

A shame-slaying, hip-swaying drag artist with Appalachian roots. Flamy Grant bring a roots-rock sound influenced by gospel and Americana. Her music shines a spotlight on the queer spiritual journey, telling stories of resilience and recovery from religious trauma.

With a bold lip and a big lash, Flamy is here to rewrite the rules when it comes to religious music.

Casii Stephan is an MN-born, indie-pop meets soul-rock singer-songwriter, recently featured in Billboard and SPIN magazine! She has received national songwriting awards, toured regionally, performed at official SXSW and Folk Alliance showcases, and been profiled in major publications, releasing her latest EP, Relationship Status, on September 20, 2024. This concept EP, “Relationship Status” takes the listener on the emotional journey of going from one relationship status to another and finally realizing that these statuses do not define you.